The music of Rita Mačiliūnaitė creates an image of natural idyl that is non-existent in reality; the composer says she was pursuing ‘fragility and transparency’, trying to discover the traces of sounds and mark the contours of shadows. Her ‘intuitively born’ works are often assembled from quavering and rustling of strings, blasts of ‘ornithological’ (exotic) woodwinds and onomatopoeic electronic sounds. Similar to many other composers of her generation, the plots of Mačiliūnaitė’s operas are abstract and conceptual, expressing a certain idea (or a complex thereof) rather than a specific life situation.
Asta Pakarklytė
NOA. New Opera Action - Rita Mačiliūnaitė. Not to be or not to be
Ice. Flame. Jasmines
Hashi
Rita Mačiliūnaitė is a composer, Doctor of Arts, and lecturer.
In 2010, she completed her Master’s degree in Composition at the Lithuanian Academy of Music and Theatre (course supervisors Prof. O. Balakauskas and Prof. R. Mažulis). In 2017, she defended her doctoral degree in the arts at the same institution (dissertation topic: “Methods of Composing Musical Narration in Postdramatic Theatre”). During her studies, she undertook internships in the Netherlands, Poland, Latvia, the United Kingdom, and Germany.
From 2011 to 2013, she worked as a music teacher at the National M. K. Čiurlionis School of Arts. From 2014 to 2016, she taught at the Lithuanian University of Educational Sciences; from 2023 to 2025, at Vilnius College of Design; and since 2022, she has been working at the Lithuanian Academy of Music and Theatre. From 2014 to 2024, she worked as a vocal pedagogue, and since 2025, she has been a music and opera curator at the Old Theatre of Vilnius.
In both formal and non-formal education, she delivers lectures, creative workshops, seminars, and masterclasses for students and teachers of various ages and levels of experience.
She has received the “Golden Stage Cross” awards: in 2014 for music for the performances “59’ Online”, “W(o)men”, and “Eugene Onegin”; in 2015 for the performance “The Sandman”; and in 2017 for music for the performances “Seven Fridays of the Pharisee Saul” and “Code: HAMLET”.
The composer’s theatre music has been awarded four “Golden Stage Crosses”:
Other awards and nominations:
She has received a scholarship from the Research Council of Lithuania for academic achievements. She actively participates in various festivals and composes music for theatre performances and performances. The artist has created chamber and orchestral works, operas, and installations.
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